Venues and pitches
Keep notes on every venue, festival and concert series. Track each pitch from first email to booked show, and see which ones are waiting on a reply.
Indie musicians do a million jobs before they play a note. Roadie keeps booking, setlists, rehearsals, tours and money in one place, so you can get back to the music.
Free and open source. Built by a working musician.
The job description
You're also the booking agent, accountant, tour manager, designer and social team. And somebody still has to write the songs.
What Roadie does
Keep notes on every venue, festival and concert series. Track each pitch from first email to booked show, and see which ones are waiting on a reply.
Add the possible dates, send one link by Signal or email, and everyone taps yes or no per date. You get a table instead of 47 messages.
| Fri 14 | Sat 15 | Fri 21 | |
|---|---|---|---|
| Drums | Yes | No | Yes |
| Bass | Yes | Yes | Yes |
| Keys | No | Yes | Yes |
Guarantee, door deal or versus: log it with the show and check it against what you actually got paid.
Build setlists from your song library. Save templates for the 45-minute set, the 90-minute set and the duo night.
One booking book, a different lineup per show, set as late as the day before.
Where, when, who's coming, songs pulled from a setlist, recordings in Google Drive, and the gas money.
Turn pitches into dates, add drives and lodging, and give every show a day sheet.
Log show income as it comes in: cash, checks, the tip jar. Everyone logs their own expenses, and Roadie works out gas from the route, your MPG and local prices. Settle up after tour without a fight.
Talk to the built-in assistant or the chatbot you already use.
Admins run booking, pitches and the full books. Band members see shows, songs, setlists, their own expenses and their payments. Everyone signs in with Google.
The business plan
Not a subscription, and not a cut of your gigs. Roadie is open source and built to break even, not to make a profit. Every month I publish what it costs to run, and here's who pays that bill, in order.
While the bill is small, I cover it.
Arts councils, open source funds and music organizations. If a grant covers hosting, nobody pays.
Only if grants fall short: a recent bill divided by active artists, charged every few months so card fees don't eat it.
Cost share math · example numbers
The code, the design and the ideas are yours to take. If someone builds something better from it, that's a win for musicians.
On the roadmap
I'm building what working musicians ask for. These are coming, not here yet.
I'm a working musician. I book my own shows and load my own gear. I got tired of tools that take a cut, raise the price, or get bought, so I'm building the one I wanted, in the open.
Named after the hardest-working person on any tour: the one who loads in, runs cable and tapes the setlist to the stage, so the band can just play.